Cloth as Community: Hmong Textiles in America
The story of Hmong textile production in the diaspora reflects the radical upheaval in the external environment that Hmong refugees experienced. In traditional Hmong life in Asia, women produced complex clothing that established clan identity through abstract geometric designs in the textiles, created by embroidery, appliqué, reverse appliqué, and indigo batik (by the Green Hmong). The designs reflect a deep animist philosophy and are inspired by nature. They continue to influence the aesthetic choices of contemporary makers, even as those choices were mediated by refugee experiences and economic concerns. Historically, textiles in village life were not sold, but they held important spiritual protections, such as the colorful baby carriers and hats designed to disguise the children from evil forest spirits who might try to steal their souls. In refugee camps and later the diaspora, the sale of textiles generated important income for families, as it created conditions for innovation, such as the embroidered story cloth.
Although the sudden emergence of a pictorial or quasi-representational embroidered art from a geometric, very stylized ornamental art is highly unusual, it is another fascinating aspect of the textiles as cultural text. Escape narratives were the predominant theme of story cloths made in the camps, revealing a new Hmong concern with geo-political borders since crossing the swift Mekong River to safety in Thailand was the route for most Hmong who left Laos. Many Hmong drowned or were shot when attempting the crossing, and it became a central element in most early story cloths, as did the incorporation of first Hmong and then English text. Yet, as the memory of the war receded and US buyers required more sanguine subjects, many of the story cloth subjects morphed into representations of a new life in America—a Nativity scene—or nostalgia for the pastoral life left behind—animals in a jungle, scenes of village life, or illustrated Hmong folk tales with English text.
The works in this exhibition demonstrate a period in time when old paj ntaub influenced new designs, often produced at a larger scale or with more space devoted to the triangular borders, and embroidered story cloths changed to fit a new market that was different from tourists or relief workers in the camps. The works show how the profound relevance of textiles as infrastructure in the Hmong social fabric has never been part of a fixed cultural tableau, even as the narrative is adapted to fit new realities.
This exhibition was first curated in 1999 by Carl Magnuson, a cultural anthropologist, working with a Hmong refugee community. Curatorial updates have been made by Geraldine Craig, who has published more than a hundred essays on Hmong textiles and contemporary art, in venues such as the Hmong Studies Journal, The Journal of Modern Craft, Art in America, and Surface Design Journal. Craig is currently Professor of Art/Associate Dean of the Graduate School at Kansas State University, and previously served for six years as Assistant Director for Academic Programs at Cranbrook Academy of Art.
From an evaluation from Altharetta Yeargin Art Museum (Houston, TX) about Cloth as Community: Hmong Textiles in America:
“We are the biggest fans of M-AAA. They have taught us so much! They inspire and encourage us to think outside of the box and go for things we never thought we could do. They really help us to understand our worth and the value of our mission. We would not be where we are today if it were not for M-AAA.”
Tour Schedule
Cloth as Community is touring June 2014 through October 2022. The dates below reflect seven-week exhibition periods. Dates are subject to change; please contact MoreArt@maaa.org or (800) 473-3872 x208/209 for current availability. This exhibition is currently fully booked. Request to be added to a wait list.
- June 16–August 11, 2014 J. Wayne Stark University Center Galleries, Texas A&M University
College Station, TX booked - September 1, 2014–January 7, 2015 University Museum, New Mexico State University
Las Cruces, NM booked - January 20–March 7 Southern Illinois University Museum
Carbondale, IL booked - June 16–August 11, 2015 Falls City Library and Arts Center
Falls City, NE booked - November 10, 2015–March 16, 2016 Bradbury Art Museum, Arkansas State University
Jonesboro, AR booked - April 6–May 25, 2016 Roland Park Country School
Baltimore, MD booked - June 16–August 11, 2016 Wildwood Park for the Arts
Little Rock, AR booked - September 1–October 20, 2016 Studio 96/Community Center
Sterling, KS booked - November 10, 2016–January 7, 2017 Refurbishment
Kansas City, MO booked - January 28–March 16, 2017 Sioux City Public Museum
Sioux City, IA booked - April 6–May 25, 2017 History Center of Olmsted County
Rochester, MN booked - June 16–August 11, 2017 Edmond Historical Society & Museum
Edmond, OK booked - September 1, 2017–January 7, 2018 Ruth Funk Center for Textile Arts
Melbourne, FL booked - February 3–March 16, 2018 Peninsula Fine Arts Center
Newport New, VA booked - April 6–April 19, 2018 Altharetta Yeargin Art Museum
Houston, TX booked - June 16–August 11, 2018 Saginaw Historical Soceity
Saginaw, MI booked - September 1, 2018–January 7, 2019 Colorado State University, Avenir Museum of Design & Merchandising
Fort Collins, CO booked - January 28–March 16, 2019 John Brown University
Siloam Springs, AR booked - April 6–May 25, 2019 Refurbishment
Kansas City, MO booked - June 22–October 20, 2019 San Joaquin County Historical Society & Museum
Lodi, CA booked - November 10, 2019–January 7, 2020 Kansas City, Kansas Public Library
Kansas City, KS booked - January 28–March 16, 2020 Fort Smith Museum of History
Fort Smith, AR booked - June 16–August 11, 2020 Raupp Memorial Museum
Buffalo Grove, IL booked - November 10, 2020–January 7, 2021 Wilbur D. May Museum
Reno, NV booked - January 28–March 16, 2021 Sheboygan County Historical Society & Museum
Sheboygan, WI booked - April 6–May 25, 2021 Cross Timbers Fine Arts Gallery
Stephenville, TX booked - September 1, 2021–January 7, 2022 Arlington Museum of Art
Arlington, TX booked - January 28–May 25, 2022 Minnesota Marine Art Museum
Winona, MN booked - June 16–August 11, 2022 Temecula Valley Museum
Temecula, CA booked - September 1–October 20, 2022 Sand Springs Cultural & Historical Museum
Sand Springs, OK booked
Exhibition Details
28 textile objects
Content
Fee Includes
Press Kit
Registrar’s Packet
Programming Guide
Gallery Guide
Text Panels
Narrative Labels
Full Insurance
Installation Instructions
Custom-Designed and Built CratesCurated By
Geraldine Craig, Professor of Art/Associate Dean of the Graduate School, Kansas State University, Manhattan, KS and Carl Magnuson, Cultural Anthropologist
Organized By
ExhibitsUSA, Mid-America Arts Alliance, Kansas City, MO
Out-of-Region Rental Fee
$1500
In-Region Rental Fee
$1050
Duration
7-week display
Shipping
Common Carrier
Running Feet
116
Square Feet
-
Security
Limited
Number of Crates/Total Weight
1 crate/203 pounds
Insurance
The exhibition is fully insured by ExhibitsUSA at no additional expense to you, both while installed and during transit.