
Uncredited, Original art for Blondie and Dagwood Family, 1963; pencil and ink on paper, 19 3/8 x 13 1/8 inches (page size); Courtesy of Robert K. Elder.

Steve Rolston, Preparatory drawing for Living on $1000 a Year in Paris, 2013; pencil and ink on paper, 11 x 8 1/2 inches (page size); Courtesy of Robert K. Elder.

Luca Pozza, Original art for Laguna Hemingway, 2020; felt tip pen, watercolor, and ecoline on patinated 350-grain ivory cardboard, 12 15/16 x 18 7/8 inches (page size); Courtesy of Robert K. Elder.

Chris Ware, Heurtley House poster, 2015; giclée print on 100% acid-free white Hahnemuhle paper, 26 x 18 1/2 inches (page size); Courtesy of the artist.

Steve Rolston, Original art for Living on $1000 a Year in Paris, 2013; pencil and ink on paper, 11 x 8 1/2 inches (page size); Courtesy of Robert K. Elder.

Gabriel Bautista a.k.a. Gabo, Original cover art for Exodus: The Life After, c. 2016; pencil and ink on paper, 17 x 11 inches (page size); Courtesy of Robert K. Elder.

Dick Matena, Original art for Paris 25/44, 2010; pencil and ink on paper, 11 1/8 x 8 3/8 inches (page size); Courtesy of Robert K. Elder.

Dirk-Jan Hoek, Original art for De Hemingway Triatlon (The Hemingway Triathlon), 2018; ink on paper, 16 1/2 x 11 5/8 inches (page size); Courtesy of Robert K. Elder.

Nando Esposito, Original art for Speciale Nathan Never, c. 1994; pencil and ink on paper, 18 3/4 x 13 inches (image); Courtesy of Robert K. Elder.

Walter Molino, Untitled, c. 1961; pencil, ink, and watercolor on thin cardboard, 14 1/8 x 11 1/4 inches (page size); Courtesy of Robert K. Elder.
Uncredited, Original art for Blondie and Dagwood Family, 1963; pencil and ink on paper, 19 3/8 x 13 1/8 inches (page size); Courtesy of Robert K. Elder.
Hemingway in Comics
This exhibition presents a fresh and engaging way to investigate the icon: a man, an artist, and a character that has taken on a life of its own. It allows visitors to consider why Hemingway’s image is so enduring. This exhibition is not only for the dedicated Hemingway fan; it will appeal to all those with an appreciation for comics, pop culture, and the absurd.
Ernest Hemingway casts a long shadow in literature, reaching beyond his status as a giant of twentieth-century fiction and a Nobel Prize winner—extending even into comic books. Appearing with various icons such as Superman, Mickey Mouse, and Wolverine, Hemingway transcends his reality as a novelist as his persona develops into a pop culture icon.
The exhibition Hemingway in Comics provides a unique and entertaining lens for considering one of America’s most influential authors through themes that explore his origin story as well as his legendary iconic personas, both fact and fiction. In several appearances across multiple languages, Hemingway is often portrayed as the hypermasculine legend: bearded, boozed up, and ready to throw a punch. But just as often, comic book writers see past the bravado to the person, grappling with his own demons. Hemingway’s role in these comics ranges from the divine to the ridiculous, as his image is recorded, distorted, lampooned, and whittled down to its core.
Exhibition curator Robert K. Elder notes that comic book creators and Hemingway share a natural kinship. The comic book page demands an economy of words, much like Hemingway’s less-is-more “iceberg theory,” only in graphic form. In addition, he turned out to be the perfect avatar for comic book artists wanting to tell history-rich stories, as he experienced beautiful places during the most chaotic times: Paris in the 1920s, Spain during the Spanish Civil War, Cuba on the brink of revolution, France during World War II just after liberation. Elder’s research into Hemingway’s comic presence demonstrates the truly international reach of Hemingway as a pop culture icon.
Hemingway in Comics presents a new, more complicated way to look at Hemingway: a man, an artist, and a character that has taken on a life of its own and allows visitors to consider why Hemingway’s image, in particular, is so enduring. However, this exhibition is not only for the dedicated Hemingway fan, it will appeal to all those with an appreciation for comics, pop culture, and the absurd.
Spanish narrative translations are also available as a downloadable file that can be printed and used for an in-gallery handout.
Exhibition Details
- Press Kit
- Registrar’s Packet
- Programming Guide
- Gallery Guide
- Text Panels
- Narrative Labels
- Full Insurance
- Installation Instructions
- Custom-Designed and Built Crates
Robert K. Elder
Exhibits USA
Tour Schedule
Hemingway in Comics is touring September 2023 through August 2028. The dates below reflect seven-week exhibition periods. Dates are subject to change; please contact MoreArt@maaa.org or (800) 473-3872 x208/209 for current availability.
Supporting Assets
Factsheet
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