
Gene Beley, With His Parents at the ‘Johnny Cash Trailer Rancho’, January 11, 1968; digital scan from original negative, 10 1/2 x 16 inches; Courtesy of the John R. Cash Revocable Trust

Dan Poush, Emerging from the Prison Bus, January 13, 1968; digital scan from original negative, 18 x 12 inches; Courtesy of the John R. Cash Revocable Trust.

Dan Poush, Before the First Performance; Blowing Smoke Rings, January 13, 1968; digital scan from original negative, 20 x 13 3/8 inches; Courtesy of the John R. Cash Revocable Trust.

Dan Poush, Before the First Performance; Southeast Corner, January 13, 1968; digital scan from original negative, 20 x 12 3/8 inches; Courtesy of the John R. Cash Revocable Trust.

Dan Poush, Before the First Performance; Standing Outside the East Gate, January 13, 1968; digital scan from original negative, 20 x 13 3/8 inches; Courtesy of the John R. Cash Revocable Trust.

Dan Poush,Before the First Performance; Portrait with Guard Tower, January 13, 1968; digital scan from original negative, 20 x 13 3/8 inches; Courtesy of the John R. Cash Revocable Trust.

Dan Poush, Johnny on Stage, Wide,January 13, 1968; digital scan from original negative, 20 x 13 3/8 inches; Courtesy of the John R. Cash Revocable Trust.

Dan Poush, With Glen Sherley, January 13, 1968; digital scan from original negative, 10 1/2 x 16 inches; Courtesy of the John R. Cash Revocable Trust.

Dan Poush, John and June on Their First Anniversary, March 1, 1969; digital scan of original negative, 30 x 21 1/2 inches; Courtesy of the John R. Cash Revocable Trust.

Gene Beley, With June Carter, Singing ‘Going to Jackson’ at the Anaheim Concert, March 1, 1969, digital scan of original negative, 20 1/4 x 20 inches; Courtesy of the John R. Cash Revocable Trust.

Dan Poush, In Anaheim, March 1, 1969; digital scan of original negative, 20 x 18 3/8 inches; Courtesy of the John R. Cash Revocable Trust.

Gene Beley, Signing Autographs in San Bernadino, c 1969; digital scan of original negative, 20 x 19 3/8 inches; Courtesy of the John R. Cash Revocable Trust.

Dan Poush, With June Carter in the Folsom Prison Yard, January 13, 1968; digital scan from original negative, 20 x 13 3/8 inches; Courtesy of the John R. Cash Revocable Trust.
Gene Beley, With His Parents at the ‘Johnny Cash Trailer Rancho’, January 11, 1968; digital scan from original negative, 10 1/2 x 16 inches; Courtesy of the John R. Cash Revocable Trust
1968: A Folsom Redemption
Celebrating the landmark concert that revived Johnny Cash’s music career, this candid and personal photographic work by two journalists covers a critical juncture in the career of Johnny Cash, one of the twentieth century’s most beloved performers.
EXTENDED TOUR! NEW DATES AVAILABLE!
Celebrating the fiftieth anniversary of a landmark event, 1968: A Folsom Redemption is a collection of photographs and memories of two journalists lucky enough to be among a handful of eyewitnesses to the historic Johnny Cash concerts at Folsom Prison. This candid and personal photography exhibition covers a critical juncture in the career of Johnny Cash, one of the twentieth century’s most beloved performers.
In January 1968, Johnny Cash was at a crossroads. His music career, in a slow decline for several years, was in need of a smash hit. He had recently straightened out his personal life, and leadership changes at his record label meant he was able to finally convince them of the merits of a live recording in a prison setting. Cash had been performing for inmates as far back as 1957, when he received a stream of requests from prisoners who identified with the man who sang “Folsom Prison Blues.” This connection developed with prisoners during these concerts had made him increasingly sympathetic to those he would later call “the downtrodden.”
Working as freelance journalists, photographer Dan Poush and writer Gene Beley met with Cash and his family the day before the concerts began, at the invitation of Reverend Floyd Gressett, a friend of Cash’s who ministered to inmates and helped set up the show at Folsom State Prison with Recreation Director Lloyd Kelley. After practicing the set with the Tennessee Three at Hotel El Rancho the night before, on January 13, 1968, Cash, along with opening acts Carl Perkins and the Statler Brothers, performed two separate shows in the dining hall at Folsom. Notable for capturing Cash’s ability to connect with his audience, the recordings crackled with the excitement of an adoring crowd. The resulting album, At Folsom Prison, was released four months later to critical and popular acclaim.
Beley’s first-person account of those days, and his knowledge of the storylines at work behind the scenes, make this a fascinating exploration of the little-known aspects of a well-known event in popular culture. 1968: A Folsom Redemption takes the viewer right into the heart of this pivotal moment in the life and career of one of the twentieth century’s most important and cherished musical personalities.
For the first time ever, this travelling road show collection of thirty-one photos features a wide range of intimate photos with friends and family to a backstage meeting with country music legend Merle Haggard with the Man in Black. This exhibition highlights Cash’s golden era from the January 1968 Folsom prison album recording to a March 1, 1969 concert in Anaheim, California when he was getting ready to launch his network television show.
Exhibition Details
32 photographs by Dan Poush and Gene Beley and 2 works of ephemera
- Press Kit
- Registrar’s Packet
- Programming Guide
- Gallery Guide
- Text Panels
- Narrative Labels
- Full Insurance
- Installation Instructions
- Custom-Designed and Built Crates
Exhibits USA
Exhibits USA
Tour Schedule
1968: A Folsom Redemption is touring June 2019 through August 2029. The dates below reflect seven-week exhibition periods. Dates are subject to change; please contact MoreArt@maaa.org or (800) 473-3872 x208/209 for current availability.
Supporting Assets
Factsheet
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