Variations in Print: 15 Tamarind Collaborations
Variations in Print: 15 Tamarind Collaborations celebrates Tamarind Institute’s groundbreaking collaborative printmaking and training program. Highlighting collaborations between Tamarind Institute and fifteen artists, Variations in Print draws upon Tamarind’s extensive archive of prints and archival materials from the past sixty years and provides a comprehensive portrait of the workshop that changed the course of contemporary printmaking. This exhibition explores the essential relationship of artist and printer during the collaborative process, and how discoveries are made. The exhibition is comprised of forty-nine prints by fifteen artists engaged over Tamarind’s sixty years. These artists represent some of the most important and most promising artists of our time, with a diverse collection of backgrounds, races, and genders.
Through identifying several key printers who trained at Tamarind—many who went on to establish their own workshops around the world—the history of printmaking is expanded by incorporating the printers and their achievements into the narrative. The exhibition explores the intergenerational dedication to the handcrafted object and the slow medium of lithography through short video profiles (available for educational materials) of Tamarind’s student printers and master printers, the so-called #lithocrew generation. Utilizing archival material housed at the Center for Southwest Research, a narrative that incorporates the printers’ voices, and a broad selection of Tamarind lithographs, the exhibition explores the pivotal markers of the workshop’s sixty-year history and the art of lithography that continues to thrive in the digital age.
Founded in 1960 in Los Angeles by June Wayne, Tamarind Institute is recognized internationally for its contributions to the growth of contemporary printmaking. Relocated in 1970 to the University of New Mexico by co-founders Garo Antreasian and Clinton Adams, Tamarind continues its primary educational mission to train master printers and introduce contemporary artists to the possibilities of lithography.
Tamarind is known for upholding the highest standards of printing and documentation, while advancing lithography—the most technically challenging of all print media—through research and experimentation.
Garo Antreasian, Tamarind’s first Technical Director, experimented with industrial materials and commercial color palettes.
José Bedia is a Cuban artist whose prints explore indigenous cultures and religions from the Caribbean, and North and South America.
Nick Cave adapted ideas drawn from his sculptural work to produce a print, essentially making an assemblage of plates to produce an image of a sound suit.
Willie Cole‘s challenging collaboration involves political content (Ameriquiz) and the development of the steam iron as a matrix.
Lesley Dill‘s projects resulted in structural prints composed of folding and sewn components.
Jim Dine, an experienced printer, had many collaborations at Tamarind, resulting in working relationships with Tamarind Master Printers as well as apprentice printers.
Hung Liu, Chinese-born painter and printmaker, did multiple collaborations at Tamarind which involved appropriating and repurposing historic photographs.
Nicola López‘s projects examined futuristic urbanism and hybrid forms of nature and culture, and involved complicated printing and assembly of dimensional works.
Linn Meyers‘s multiple print collaborations are based on her monumental drawings and represent a bridge between former and current Tamarind Master Printers.
Rashaad Newsome, a multidisciplinary artist, created prints that incorporate performance and traditional lithography overlaid by 3-D printed elements.
Toyin Ojih Odutola developed a signature style of rendering skin as topography.
Liliana Porter‘s collaboration continued her practice of combining sculptural elements and photo collage.
Jaune Quick-to-See Smith made use of Native American symbols and appropriation in her works.
Michelle Stuart‘s print with Tamarind was her first. An early collaborator with Tamarind Institute, she made use of embossing and templates to simulate hand-made paper.
Judy Tuwaletstiwa‘s work involved printing from all six faces of the lithographic stone (as opposed to the traditional method, printed from a single surface), as well as the use of textiles.
Variations in Print: 15 Tamarind Collaborations is touring April 2020–May 2024. The dates below reflect seven-week exhibition periods. Dates are subject to change; please contact MoreArt@maaa.org or (800) 473-3872 x208/209 for current availability.
April 6–May 25, 2020
Albuquerque, NM booked
June 16–August 11, 2020
Be among the first to host and save 25%.
September 1–January 7, 2021
OSilas Gallery, Concordia College New York
Bronxville, NY pending
January 28–March 16, 2021
Dunedin Fine Arts Center
Dunedin, FL pending
April 6–May 25, 2021
June 16–August 11, 2021
September 1–October 20, 2021
Kansas City, MO booked
November 10, 2021–January 7, 2022
January 28–March 16, 2022
April 6–May 25, 2022
June 16–August 11, 2022
September 1–October 20, 2022
November 10, 2022–January 7, 2023
January 28–March 16, 2023
April 6–May 25, 2023
June 16–August 11, 2023
September 1–October 20, 2023
Kansas City, MO booked
November 15, 2023–January 7, 2024
Las Cruces Museum of Art
Las Cruces, NM pending
January 28–March 16, 2024
April 6–May 25, 2024
Approximately forty-nine lithographs by fifteen artists
Custom-Designed and Built Crates
Diana Gaston, Director of Tamarind Institute
ExhibitsUSA, Mid-America Arts Alliance, Kansas City, MO
Out-of-Region Rental Fee
In-Region Rental Fee
Number of Crates/Total Weight
5 crates estimated/weight TBD
The exhibition is fully insured by ExhibitsUSA at no additional expense to you, both while installed and during transit.